These days we're all expected to be experts at stuff we have no training in. The skill of proof-reading is exactly that - a skill and yet it falls often to the least busy staff member, an intern or just gets left till just the very last minute. Proof reading is like cold-calling - everyone can use the telephone but few can make a living from it!
Checking proofs of printed materials is vital to the presentation and professionalism with which companies are judged. The chatty, personal style of a business is one thing, but get the spelling wrong and that trust,
reliability and professionalism vanishes faster than you can
misspell the word "received"!
UOE's Ten Tips to Proof Reading: 1. It is twice as hard to proof read your own work than someone e
lse's - this is partly because you think you know how to spell things when you don't but also because you will have a tendency to skim the text as your mind knows what you wrote and what comes next! No, really!! So by choice get someone else to proof your work for you too.
2. Cultivate a healthy sense of doubt. If there are types of errors you know you tend to make, double check for those.
3. Read very slowly. If possible, read out loud. Read one word at a time.
4.Read what is actually on the page, not what you think is there. (This is the most difficult sub-skill to acquire, particularly if you wrote what you are reading).
5. Proofread more than once and not straight after you've written the work.
6. Check the photos too - has an image been reversed (classic shots when the text on a shirt is back-to-front)
7. Take an overview look at the whole page - is the layout correct? Are the colours what you expected? Do the fonts match? Do the headlines make sense and are they spelled correctly!
8. Try reading for spelling backwards - this forces you to read each word out of context and stops your mind wandering.
9. Never assume that the studio that did the artwork have a clue how to spell your company name, boss' name, how to format a telephone number or a postcode. Assume everything will be wrong and work on that basis.
10. Keep a copy of the amendments you have made so you can double check them first on the next proof - don't assume the studio will get the amendments correct!
In proof reading, you can take nothing for granted, because unconscious mistakes are so easy to make. It helps to read out loud, because you are using two senses. It is often possible to hear a mistake, such as an omitted or repeated word that you have not seen.
Remember, professional editors proofread as many as ten times. Publishing houses hire teams of readers to work in pairs, out loud. And still errors occur! So you are warned!
Here's a classic example:
Great 48 page brochure, lovely photo, correctly mailed to the right contact but....look at the typo on the cover. "the very lastest in outdoor lighting" - whoops...surely that should read "latest"